ISSN 2451-2966

PUBLISHED BYtype2

Polish
Theatre
Journal

1(7)/2019A New Landscape with a Rainbow

Cover Page
CALL FOR PAPERS EN | PL
Rafał Pierzyński and Joseph Funnel in Alex Baczyński-Jenkins's performance Nim zakwitnie tysiąc róż (z Warszawą w tle) [Until a Thousand Roses Bloom (with Warsaw in the Background)], 2018, Foksal Gallery Foundation in Warsaw, photo: Karolina Zajączkowska. Courtesy: artist & Foksal Gallery Foundation
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INTRODUCTION

<i>Nim zakwitnie tysiąc róż (z Warszawą w tle)</i> [<i>Until a Thousand Roses Bloom (with Warsaw in the Background)</i>], Alex Baczyński-Jenkins's performance, Warsaw, 2018, photo: K. Zajączkowska. Courtesy: artist & Foksal Gallery Foundation
Agata Adamiecka-Sitek
A New Landscape with a Rainbow: Queerness and Hope
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THE NEW QUEERNESS

<i>Języki przyszłości</i> [<i>Future Tongues</i>], Ania Nowak, 2018, Nowy Theatre, Warsaw, photo: Maurycy Jan Stankiewicz
Anka Herbut
A Few Queer Choreographies and a Horizon Imbued with Potentiality
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<i>Malina</i>, dir. Marta Malikowska and Anka Herbut, premiere: 4 November 2018, The Zbigniew Raszewski Theatre Institute, photo: Karolina Gorzelańczyk.
Agata Adamiecka-Sitek, Marta Malikowska
Nakedly and Tenderly. Agata Adamiecka-Sitek in conversation with Marta Malikowska
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<i>O mężnym Pietrku i sierotce Marysi. Bajka dla dorosłych</i> [<i>Valiant Pete and Little Orphan Mary: A Fairy Tale for Grownups</i>], Jolanta Janiczak, dir. Wiktor Rubin, premiere: 27 October 2018, Polski Theatre in Poznań, photo: Magda Hueckel
Zuzanna Berendt
A Bit of a Queer Production: What Happens and What Cannot Happen When a Queer Biography Meets Publicly Funded Theatre
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<i>Dead Girls Wanted</i>, Jolanta Janiczak, Grzegorz Stępniak, dir. Wiktor Rubin, premiere: 22 February 2019, The Zagłębie Theater, Sosnowiec, photo: Monika Stolarska
Grzegorz Stępniak
The Power of Queer Failure
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QUEER GENEALOGIES

Konrad Swinarski, Anna Polony and Wojciech Pszoniak during rehearsals for the <i>Wszystko dobre, co się dobrze kończy</i> [<i>All’s Well That Ends Well</i>] 1971, Stary Theatre in Kraków, photo: Wojciech Plewiński
Grzegorz Niziołek
Homosexuals in Konrad Swinarski’s Productions: A Language Problem?
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<i>Przebudzenie wiosny</i> [<i>Spring Awakening</i>], Frank Wedekind, dir. Paweł Miśkiewicz, premiere: 5 February 1999, Stary Theatre, Kraków, photo: Wojciech Plewiński
Katarzyna Waligóra
Growing Sideways and Subverting Theatrical Hierarchies: Paweł Miśkiewicz’s Spring Awakening
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KRYSTIAN LUPA: YOUTHFUL DOUBTS, MATURE (UN)CERTAINTIES

Krystian Lupa and Piotr Skiba during rehearsals for the <i>Proces</i> [<i>The Trial</i>], Warsaw, 2018, photo: Magda Hueckel
Stanisław Godlewski
Devotional Articles and a Unicorn: Queer Aspects in the Work and Bibliography of Krystian Lupa
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Krystian Lupa (left) and Zbysław Maciejewski (right) near Jastrzębie-Zdrój, 1965. Photographer unknown. Source: Krystian Lupa’s private collection
Waldemar Wasztyl
‘We didn’t know who we really were’: Krystian Lupa and Zbysław Maciejewski
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<i>Factory 2</i>, Krystian Lupa, dir. Krystian Lupa, premiere: 16 February 2008, Stary Theatre, Kraków, photo: Krzysztof Bieliński
Monika Kwaśniewska
Between Freedom and Manipulation: The Situation of Actors in Factory 2
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Krystian Lupa during rehearsals for the <i>Proces</i> [<i>The Trial</i>], 2017, photo: Magda Hueckel
Krystian Lupa
Comment
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Krystian Lupa during rehearsals for the <i>Proces</i> [<i>The Trial</i>], 2017, Warsaw, photo: Magda Hueckel
Piotr Gruszczyński
Bleak Futurism
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