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Polish
Theatre
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1(5)/2018Post-Theatre and Its Allies: New Experiments in Polish Theatre

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CALL FOR PAPERS EN | PL
'Ohne Titel' ('Micro Theatre') dir.  Ania Nowak, produced by Komuna //Warszawa. Photo: Pat. Mic.
contents

INTRODUCTION

Ohne Titel (Micro-theatre) by Ania Nowak, produced by Komuna // Warszawa. Photographer: Pat. Mic.
Editorial Board
Post-Theatre and Its Allies: New Experiments in Polish Theatre
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SCHECHNER IN WARSAW

Richard Schechner receives a honorary degree from the Aleksander Zelwerowicz Theatre Academy in Warsaw, 16.10.2017. Photo: Vova Makovskyi.
Richard Schechner
On Receiving an Honorary Doctorate, Warsaw, October 2017
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Tomasz Kubikowski
Laudatio
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POST-THEATRE AND ITS ALLIES: NEW EXPERIMENTS IN POLISH THEATRE

'Pygmalion', dir. Wojtek Ziemilski, premiere: 25.10.2014, produced by ZAMEK Culture Centre in Poznań and Komuna//Warszawa. Photo: Maciej Kaczyński.
Tomasz Plata
Post-Theatre: Escaping from Theatre, Escaping to Theatre
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'RE//MIX Laurie Anderson The United States', dir. by Wojtek Ziemilski, premiere: 13.10.2012, produced by Komuna//Warszawa. Photo from the Komuna//Warszawa archive
Zofia Smolarska
Wojtek Ziemilski’s 'Lehrstücke' or Post-Theatre à la polonaise
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'Performance' ('Micro-theatre'), dir. by Wojtek Ziemilski, premiere: 12.11.2016, produced by Komuna// Warszawa. Photo: Pat Mic.
Katarzyna Lemańska, Karolina Wycisk
[To] See What We Can Do Together: Wojtek Ziemilski in Conversation with Katarzyna Lemańska and Karolina Wycisk
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'Birthday' (Micro Theatre), dir. by Anna Karasińska, premiere: 12. 11. 2016, produced by Komuna//Warszawa. Photo: Pat Mic.
Maryla Zielińska
Factory 3
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<i>The Fantasia</i>, dir. by Anna Karasińska, premiere: 9.04.2017, TR Warszawa. Photo: Magda Hueckel.
Iga Gańczarczyk
We Can Try to Imagine This
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'Constitution for the Chorus of Poles', devised, directed and written by Marta Górnicka, premiere: 1.05.2016, Nowy Theatre in Warsaw. Photo: Robert Rumas.
Stanisław Godlewski
We? The People? On Marta Górnicka’s 'Constitution for the Chorus of Poles'
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'Offering What We Don't Have to Those Who Don't Want It', concept: Ania Nowak, choreography and performance: Ania Nowak, Julia Rodriguez, Xenia Taniko Dwertmann, produced by Ania Nowak/ Sophiensaele Berlin. Photo: Alina Usurelu.
Agnieszka Sosnowska
Androgynous and Soft: Non-normative Languages of Ania Nowak
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Magdalena Zamorska
Rematerializing ‘the Internet’: 'IT', a Choreographic Performance by Marta Ziółek
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'Make Yourself', concept and choreography by Marta Ziółek, premiere: 20.05.2016. produced by Komuna//Warszawa. Photo: Bartek Stawiarski.
Joanna Szymajda
I’m Your Private Dancer: Pop Culture in Choreographic Practice
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'Anesthesia', by Dead Baitz, premiere: 3.12. 2016 at the Theatre Institute in Warsaw. Photo by Dead Baitz.
Mateusz Chaberski
Cyberparticipation and Malicious Interactivity, or: Who or What Participates in Post-Theatre
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'Downfalls. Episode 2', dir. Justyna Sobczyk, script by Justyna Lipko-Konieczna, Justyna Sobczyk, produced by Teatr 21, premiere: 22.05.2015. Photo: Grzegorz Press.
Joanna Krakowska
Auto-theatre in the era of post-truth
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'The Song', by Akademia Ruchu, 2005. Photo: Stefan Okołowicz, courtesy of Stowarzyszenie Przyjaciół Akademii Ruchu.
Weronika Szczawińska
Akademia Ruchu: A Future Already Past
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GISSEN AND OTHERS

'Ordnung', by Dorn ° Bering (Stephan Dorn and Gesa Bering), 2016. Photo: Heiner Goebbels.
Heiner Goebbels
There Is No Such Thing as a Giessen School
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'Sierakowski', by Komuna//Warszawa, premiere: 19.11.2011. Photo: Magda Mosiewicz.
Tomasz Plata
Theatre Studies: Working with Theatre
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'h e s o', choreography: Mao Nakagawa, graduation performance, School for New Dance Development, 2017. Photo: Nellie de Boer.
Marijke Hoogenboom
Three scenes from the art academy: the professional, the ignorant and the local schools
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Leonard Elmhirst, at right, with his wife, Dorothy, at Dartington Hall, Devon, UK. Source: The Dartington Hall Trust archive. Wikimedia Commons.
Richard Gough
Future Proof (With Courage & Curiosity): Training for a theatre that does not yet exist
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