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21 Theatre AST Academy of Movement Academy of Theatre Arts in Krakow Acting Aesthetics and Politics Akademia Ruchu Aleksander Wat Alternative Society Movement Ania Nowak Anna Karasińska Anna Smolar Art as vehicle Biography Blackface Bojana Kunst Bruno Latour Catholic Church Central-Eastern Europe Choreography Chorus of Poles Chorus of Women Collective Community Constitution Critical Theater DasArts Dead Baitz Democracy Department of Theatre Studies Directing, Hierarchy Discrimination Dorota Segda Drama Emancipation Ethics Film Production Film School First Solidarity First Solidarity Movement

Forced Entertainment Gender Giessen Giessen School Good Practices Historical Avant-garde Homosexuality Human Rights Ideology Insitutional theatre Institutional Critic Interview Introduction Ivana Müller Jacques Lacan Jacques Rancière Jerzy Grotowski, Thomas Richards Justyna Sobczyk Kobro Komuna// Warszawa Komuna//Warszawa Komuna//Warszawa, Jacques Rancière Konrad Swinarski Krystian Lupa Marta Górnicka Marta Ziółek Meyerhold Michał Telega Micro Theatre Micro-theatre Mobbing Modris Eksteins Nowy Theatre One Billion Rising Osvobozené divadlo Paweł Wodziński Paweł Wodziński. Polish Modernity Polish Theatrical Avant-garde Political Theatre

Political theatre Psychodynamics Queer Queer biography Queerness Racism Real Time Composition Reclaiming. Richard Rorty Robert Wilson Safety Schechner School for New Dance Development Sexual Harassment Simultaneous Theatre Solidarity Solidarity as a Performance Solidarity movement Stanisław Wyspiański TR Warszawa Teatr 21 The Aleksander Zelwerowicz National Academy of Dramatic Art in Warsaw The Trial Theatre School Theatre school Théâtre National Populaire Tim Etchells Trade Unions Wojciech Krukowski Wojtek Ziemilski aesthetics agon agonism animation of culture anti-Semitism architecture art academy art of community artistic collectives artistic institution

art’s critical potential auto-theatre avant-garde biomechanics body bystander censorship choreographic performance choreography chorus circus collective emotions commune theatre community community strategies compromise conceptual choreography constructivism contemporary choreography contemporary dance critical theatre culture and development cyberparticipation dance deconstruction democracy democratic culture democratic institution democratisation democratisation of culture devised theatre devising theatre directing district theatre documentary theatre drag dramaturgy dream machines ecology engaged art

engaged theatre failure feminism freedom of creative expression heritage hip-hop holocaust homosexuality innovation institution institutional criticism institutional critique institutional order the canon local community local theatre media archaeology methods of producing art misogyny modernism music-hall new dramaturgy new media technologies non-performance normative participation participatory art performance performative democracy performing arts polemics polish theatre in ’80 political theatre pop culture popular theatre post-theatre post-truth postdance postinternet postmedia precariat

public art institution public culture institutions. public space public theatre queer reconstruction self-censorship self-government site-specific art social capital social change social performance social theatre socially engaged art spatio-temporal rhythm spectres subjectivity subversive surrogation the Watermill Center the common good the emancipated spectator the political nature of art the political nature of the festival theatre collectives theatre critic. theatre education theatre in Poland theatre of community theatre organisation theatre pedagogy theatre projects theatre-training programme totalitarianism trade unions trauma university voguing workers’ movement working-class theatre

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