ISSN 2451-2966

PUBLISHED BYtype2

Search results

1-2(7-8)/2019
A New Landscape with a Rainbow
Change – now! Conference proceedings
Zuzanna Berendt
 A Bit of a Queer Production: What Happens and What Cannot Happen When a Queer Biography Meets Publicly Funded Theatre
1/2015
The Politicality of Theatre
Anna R. Burzyńska
 Transfer: German and Polish Political Theatre in the Early 21st Century
1(5)/2018
Post-Theatre and Its Allies: New Experiments in Polish Theatre
Weronika Szczawińska
 Akademia Ruchu: A Future Already Past
1/2015
The Politicality of Theatre
Paweł Demirski
 The Theatre of the Playwright
2(6)/2018
Reclamations: the Avant-garde, Solidarity and the Collectives
Zofia Dworakowska
 Communal Theatre: A Forgotten Tradition in the Avant-garde
1-2(7-8)/2019
A New Landscape with a Rainbow
Change – now! Conference proceedings
Monika Kwaśniewska
 Between Freedom and Manipulation: The Situation of Actors in Factory 2
1/2015
The Politicality of Theatre
Monika Kwaśniewska
 A Feigned Emancipation
1/2015
The Politicality of Theatre
Anna R. Burzyńska
 From Documentarist to Situationist: The Plays of Paweł Demirski
1/2015
The Politicality of Theatre
Maciej Nowak
 We, the New Theatre
1-2(7-8)/2019
A New Landscape with a Rainbow
Change – now! Conference proceedings
Vanessa Coffey, Hilary Jones, Mccallister Selva, Thomas Zachar
 Shifting the Landscape: Why Changing Actor Training Matters in Light of the #MeToo Movement
1(5)/2018
Post-Theatre and Its Allies: New Experiments in Polish Theatre
Katarzyna Lemańska, Karolina Wycisk
 [To] See What We Can Do Together: Wojtek Ziemilski in Conversation with Katarzyna Lemańska and Karolina Wycisk
1-2(7-8)/2019
A New Landscape with a Rainbow
Change – now! Conference proceedings
Katarzyna Waligóra
 Growing Sideways and Subverting Theatrical Hierarchies: Paweł Miśkiewicz’s Spring Awakening
1-2(3-4)/2017
Theatre and
Democracy
Ewa Bal
 On the ‘People’s Theatre’: a Glance Back
1(2)/2016
Theatre and Community
Ewa Guderian-Czaplińska
 Winged Elephants: The Jeżyce Story Project
1-2(7-8)/2019
A New Landscape with a Rainbow
Change – now! Conference proceedings
Henk Havens, Bert Luppes, Lieke van der Vegt, Emma Buysse
 Dutch Practice-Based Theatre Experiences
2(6)/2018
Reclamations: the Avant-garde, Solidarity and the Collectives
Panel 2
 Theatre Collectives, Panel 2: Doing Things the Polish Way
2(6)/2018
Reclamations: the Avant-garde, Solidarity and the Collectives
Paweł Sztarbowski
 Staging Clichés and Settling Scores
1(5)/2018
Post-Theatre and Its Allies: New Experiments in Polish Theatre
Stanisław Godlewski
 We? The People? On Marta Górnicka’s 'Constitution for the Chorus of Poles'
1-2(7-8)/2019
A New Landscape with a Rainbow
Change – now! Conference proceedings
Michał Telega
 The Actresses, or Sorry for Touching You
1-2(3-4)/2017
Theatre and
Democracy
Arkadiusz Gruszczyński (ed.), Alina Gałązka, Grzegorz Laszuk, Tomasz Plata
 How Komuna Otwock became Komuna// Warszawa: A Conversation with Alina Gałązka, Grzegorz Laszuk and Tomasz Plata
1-2(3-4)/2017
Theatre and
Democracy
Piotr Olkusz
 The Pope’s New Clothes: Jean Vilar’s Lay Religion and Popular Theatre
2(6)/2018
Reclamations: the Avant-garde, Solidarity and the Collectives
Jakub Kłeczek
 Osvobozené divadlo and Teatr Symultaniczny: Two Unrealised Theatre Projects in Central and Eastern Europe as a Research Subject in Media Archaeology
1(2)/2016
Theatre and Community
Roman Pawłowski
 Towards the Private: Notes on Contemporary Non-Fiction Theatre
1/2015
The Politicality of Theatre
Dariusz Kosiński, Jan Klata
 Nothing Else Matters: Jan Klata in Conversation with Dariusz Kosiński  Nothing Else Matters: Jan Klata in Conversation with Dariusz Kosiński
1-2(3-4)/2017
Theatre and
Democracy
Kamila Paprocka-Jasińska
 Can Centrala Save Us?
1/2015
The Politicality of Theatre
Bartosz Frąckowiak
 Agon, Passion, Profanation: Challenges for New Political Theatre
1-2(3-4)/2017
Theatre and
Democracy
Jan-Tage Kühling
 On the Common Good: The Institution of the Chorus and Images of a Nation in Marta Górnicka’s Theatre
1(5)/2018
Post-Theatre and Its Allies: New Experiments in Polish Theatre
Tomasz Plata
 Theatre Studies: Working with Theatre
1/2015
The Politicality of Theatre
Agata Siwiak
 The Politics of Participation
1-2(7-8)/2019
A New Landscape with a Rainbow
Change – now! Conference proceedings
Iwona Kempa
 What to Do with What Is Now? At School and in the Theatre
1(2)/2016
Theatre and Community
Agata Adamiecka-Sitek, Elżbieta Depta, Agnieszka Jakimiak, Mikołaj Lewicki, Tomasz Rakowski, Agata Siwiak, Igor Stokfiszewski, Mirosław Wlekły, Krzysztof Zarzecki
 Between Encounter and Change of Reality, between Participation and Emancipation: Conversation about Challenges Facing Social Theatre
1/2015
The Politicality of Theatre
Mateusz Borowski
 Theatre Takes a Stand: Polish Participatory Theatre at the Turn of the Twentieth and Twenty-First Centuries
1-2(3-4)/2017
Theatre and
Democracy
Ewa Guderian-Czaplińska
 Demolishing Partition Walls: ‘Auto-theatre’ at the 2016 Theatre Confrontations Festival in Lublin
1-2(3-4)/2017
Theatre and
Democracy
Monika Kwaśniewska
 The Actor in the Deadlock of Contemporary Folwark Relations
1-2(3-4)/2017
Theatre and
Democracy
Weronika Szczawińska
 Theoretical Democracies, Practical Institutions
1/2015
The Politicality of Theatre
Paweł Mościcki
 What Is the Theatrical Idea, or: How to Be Loved by Philosophy
1-2(7-8)/2019
A New Landscape with a Rainbow
Change – now! Conference proceedings
Piotr Gruszczyński
 Bleak Futurism
1-2(7-8)/2019
A New Landscape with a Rainbow
Change – now! Conference proceedings
Agata Adamiecka-Sitek
 Change - Now? Calling for Unavoidable
1-2(3-4)/2017
Theatre and
Democracy
Oliver Frljić, Agata Adamiecka-Sitek, Marta Keil
 Whose National Theatre Is It? Oliver Frljić in Conversation with Marta Keil and Agata Adamiecka-Sitek
1/2015
The Politicality of Theatre
Agata Adamiecka-Sitek
 Poles, Jews and Aesthetic Experience: On the Cancelled Theatre Production by Olivier Frljić
1-2(7-8)/2019
A New Landscape with a Rainbow
Change – now! Conference proceedings
Iga Gańczarczyk
 Testimonies and Declarations
2(6)/2018
Reclamations: the Avant-garde, Solidarity and the Collectives
Paulina Kubas
 Theatre Unmasked: An Experimental Production of Stanisław Wyspiański’s Daniel at Stefan Żeromski Theatre in Warsaw
1-2(3-4)/2017
Theatre and
Democracy
Agata Adamiecka-Sitek, Marta Keil
 Theatre and Democracy. Institutional Practices in Polish Theatre
1/2015
The Politicality of Theatre
Paweł Demirski, Maciej Nowak
 I Don’t Want to Do Theatre Anymore, I’ve Got Bored: Paweł Demirski in Conversation with Maciej Nowak
1-2(3-4)/2017
Theatre and
Democracy
Henrike Kohpeiss
 Who Wants a Theatre Company and Doesn’t Have One?
1-2(3-4)/2017
Theatre and
Democracy
Paweł Płoski
 Theatre Organization System in Poland
1-2(3-4)/2017
Theatre and
Democracy
Dorota Buchwald
 Institution: the Defence of Necessity
2(6)/2018
Reclamations: the Avant-garde, Solidarity and the Collectives
Panel 1
 Theatre Collectives, Panel 1: How Do the Flemish Do It?
1(2)/2016
Theatre and Community
Łucja Iwanczewska
 To Participate and to Disappear
1(2)/2016
Theatre and Community
Igor Stokfiszewski
 Art as Vehicle of Community: The Works of the Workcenter of Jerzy Grotowski and Thomas Richards in Pontedera, Italy, 2009–2012
1-2(7-8)/2019
A New Landscape with a Rainbow
Change – now! Conference proceedings
Grégory Gabriel, Elliot Marès
 Changing the Face of French Scene: Rethinking Assumptions for a Theatre That Mirrors Society
1-2(3-4)/2017
Theatre and
Democracy
Maciej Nowak
 We, The New Public Theatre
1-2(3-4)/2017
Theatre and
Democracy
Zofia Smolarska, Justyna Sobczyk, Justyna Lipko-Konieczna
 Dismantling Our Own Language: Justyna Lipko-Konieczna and Justyna Sobczyk in Conversation with Zofia Smolarska
1-2(7-8)/2019
A New Landscape with a Rainbow
Change – now! Conference proceedings
Alina Czyżewska
 ‘There Is No Democracy in Theatre.’ Seriously?
1-2(3-4)/2017
Theatre and
Democracy
Zofia Smolarska
 Institutional Gastroscopy: Publicly Funded Theatre in Poland, Diagnosed by Its Craftspeople
1(5)/2018
Post-Theatre and Its Allies: New Experiments in Polish Theatre
Heiner Goebbels
 There Is No Such Thing as a Giessen School
1-2(3-4)/2017
Theatre and
Democracy
Paweł Łysak, Paweł Sztarbowski, Agata Adamiecka-Sitek, Marta Keil
 Polish Theatre after Klątwa: Paweł Łysak and Paweł Sztarbowski, directors of the Powszechny Theatre in Warsaw, in Conversation with Agata Adamiecka-Sitek and Marta Keil
1(5)/2018
Post-Theatre and Its Allies: New Experiments in Polish Theatre
Zofia Smolarska
 Wojtek Ziemilski’s 'Lehrstücke' or Post-Theatre à la polonaise
1-2(3-4)/2017
Theatre and
Democracy
Ewa Majewska
 Censorship as the Formative Mechanism of Neoliberal Culture?: The Productive Function of Prohibition
1(5)/2018
Post-Theatre and Its Allies: New Experiments in Polish Theatre
Richard Schechner
 On Receiving an Honorary Doctorate, Warsaw, October 2017
1(2)/2016
Theatre and Community
Małgorzata Jabłońska
 Irradiated with Art
1(5)/2018
Post-Theatre and Its Allies: New Experiments in Polish Theatre
Joanna Krakowska
 Auto-theatre in the era of post-truth
1(5)/2018
Post-Theatre and Its Allies: New Experiments in Polish Theatre
Iga Gańczarczyk
 We Can Try to Imagine This
1 - 63 of 63 Items