| Issue | Title | |
| 1/2015 | 'I’m Calling Out to You': On the Choral Theatre of Marta Górnicka | Abstract HTML PDF_EN PDF_PL |
| Agata Łuksza | ||
| 2(6)/2018 | 'We Won’t Give Up Solidarity!' Fragments of Heritage | Abstract PDF_PL HTML |
| Łucja Iwanczewska | ||
| 1-2(7-8)/2019 | A Bit of a Queer Production: What Happens and What Cannot Happen When a Queer Biography Meets Publicly Funded Theatre | Abstract PDF_PL HTML PDF_EN |
| Zuzanna Berendt | ||
| 1/2015 | A Feigned Emancipation | Abstract HTML PDF_EN PDF_PL |
| Monika Kwaśniewska | ||
| 1-2(7-8)/2019 | A Few Queer Choreographies and a Horizon Imbued with Potentiality | Abstract PDF_PL HTML PDF_EN |
| Anka Herbut | ||
| 1-2(7-8)/2019 | A New Landscape with a Rainbow: Queerness and Hope | Abstract PDF_PL HTML PDF_EN |
| Agata Adamiecka-Sitek | ||
| 1/2015 | Agon, Passion, Profanation: Challenges for New Political Theatre | Abstract HTML PDF_EN PDF_PL |
| Bartosz Frąckowiak | ||
| 1(5)/2018 | Akademia Ruchu: A Future Already Past | Abstract HTML PDF_PL PDF_EN |
| Weronika Szczawińska | ||
| 1-2(7-8)/2019 | Allies: How We Broke the Silence and Made Documents | Abstract HTML PDF_PL PDF_EN |
| Agata Adamiecka-Sitek, Agata Koszulińska, Marta Miłoszewska, Weronika Szczawińska, Beata Szczucińska, Małgorzata Wdowik | ||
| 1-2(3-4)/2017 | And the Winner Is… Appointing Artistic Directors in Hungary | Abstract PDF_PL HTML |
| Andrea Tompa | ||
| 1(5)/2018 | Androgynous and Soft: Non-normative Languages of Ania Nowak | Abstract Untitled PDF_PL PDF_EN HTML |
| Agnieszka Sosnowska | ||
| 1(2)/2016 | Art as Vehicle of Community: The Works of the Workcenter of Jerzy Grotowski and Thomas Richards in Pontedera, Italy, 2009–2012 | Abstract HTML PDF_EN PDF_PL |
| Igor Stokfiszewski | ||
| 1(5)/2018 | Auto-theatre in the era of post-truth | Abstract PDF_PL PDF_EN HTML |
| Joanna Krakowska | ||
| 1(2)/2016 | Between Encounter and Change of Reality, between Participation and Emancipation: Conversation about Challenges Facing Social Theatre | Abstract HTML PDF_EN PDF_PL |
| Agata Adamiecka-Sitek, Elżbieta Depta, Agnieszka Jakimiak, Mikołaj Lewicki, Tomasz Rakowski, Agata Siwiak, Igor Stokfiszewski, Mirosław Wlekły, Krzysztof Zarzecki | ||
| 1-2(7-8)/2019 | Between Freedom and Manipulation: The Situation of Actors in Factory 2 | Abstract PDF_PL HTML |
| Monika Kwaśniewska | ||
| 2(6)/2018 | Between Russia and Germany: Aleksander Wat’s My Century as a Theme for Modris Eksteins | Abstract PDF_PL HTML |
| Małgorzata Dziewulska | ||
| 1-2(3-4)/2017 | Beyond Participation | Abstract PDF_PL HTML PDF_EN |
| Igor Stokfiszewski | ||
| 1-2(7-8)/2019 | Bleak Futurism | Abstract PDF_PL HTML PDF_EN |
| Piotr Gruszczyński | ||
| 1(2)/2016 | Blind Alleys in Documentary Theatre: An Analysis of the Production Process of Situation Rooms, the Multiplayer Video Piece by the Rimini Protokoll Collective | Abstract PDF_PL HTML |
| Zofia Smolarska | ||
| 1-2(3-4)/2017 | Can Centrala Save Us? | Abstract PDF_PL HTML PDF_EN Untitled |
| Kamila Paprocka-Jasińska | ||
| 1-2(3-4)/2017 | Censorship as the Formative Mechanism of Neoliberal Culture?: The Productive Function of Prohibition | Abstract PDF_PL PDF_EN HTML |
| Ewa Majewska | ||
| 1-2(7-8)/2019 | Change - Now? Calling for Unavoidable | Abstract PDF_PL HTML PDF_EN |
| Agata Adamiecka-Sitek | ||
| 1-2(7-8)/2019 | Changing the Face of French Scene: Rethinking Assumptions for a Theatre That Mirrors Society | Abstract HTML PDF_PL PDF_EN |
| Grégory Gabriel, Elliot Marès | ||
| 1-2(7-8)/2019 | Comment | Abstract PDF_PL HTML PDF_EN |
| Krystian Lupa | ||
| 2(6)/2018 | Communal Theatre: A Forgotten Tradition in the Avant-garde | Abstract PDF_PL HTML |
| Zofia Dworakowska | ||
| 1(5)/2018 | Cyberparticipation and Malicious Interactivity, or: Who or What Participates in Post-Theatre | Abstract PDF_PL PDF_EN HTML |
| Mateusz Chaberski | ||
| 1(2)/2016 | Democracy: Do It Yourself | Abstract HTML PDF_EN PDF_PL |
| Agata Adamiecka-Sitek, Iwona Kurz | ||
| 1-2(3-4)/2017 | Demolishing Partition Walls: ‘Auto-theatre’ at the 2016 Theatre Confrontations Festival in Lublin | Abstract PDF_PL PDF_EN HTML |
| Ewa Guderian-Czaplińska | ||
| 1-2(7-8)/2019 | Devotional Articles and a Unicorn: Queer Aspects in the Work and Bibliography of Krystian Lupa | Abstract PDF_PL HTML PDF_EN |
| Stanisław Godlewski | ||
| 1-2(3-4)/2017 | Dismantling Our Own Language: Justyna Lipko-Konieczna and Justyna Sobczyk in Conversation with Zofia Smolarska | Abstract PDF_PL PDF_EN HTML |
| Zofia Smolarska, Justyna Sobczyk, Justyna Lipko-Konieczna | ||
| 1-2(7-8)/2019 | Dutch Practice-Based Theatre Experiences | Abstract HTML PDF_PL PDF_EN |
| Henk Havens, Bert Luppes, Lieke van der Vegt, Emma Buysse | ||
| 1/2015 | Engagement and Autonomy of Theatre | Abstract HTML PDF_EN PDF_PL |
| Paweł Mościcki | ||
| 1(5)/2018 | Factory 3 | Abstract PDF_PL PDF_EN HTML |
| Maryla Zielińska | ||
| 1/2015 | From Documentarist to Situationist: The Plays of Paweł Demirski | Abstract HTML PDF_EN PDF_PL |
| Anna R. Burzyńska | ||
| 1(5)/2018 | Future Proof (With Courage & Curiosity): Training for a theatre that does not yet exist | Abstract HTML PDF_PL PDF_EN |
| Richard Gough | ||
| 1(2)/2016 | Golgota Picnic and the Framework of Public Discourse: Performing Democracy and Managing Social Indignation | Abstract HTML PDF_EN PDF_PL |
| Antoni Michnik | ||
| 1-2(7-8)/2019 | Growing Sideways and Subverting Theatrical Hierarchies: Paweł Miśkiewicz’s Spring Awakening | Abstract PDF_PL HTML PDF_EN |
| Katarzyna Waligóra | ||
| 1-2(7-8)/2019 | Homosexuals in Konrad Swinarski’s Productions: A Language Problem? | Abstract PDF_PL HTML PDF_EN |
| Grzegorz Niziołek | ||
| 1/2015 | How Far Can You Go in an Institution? On a Feminist Turn That Wasn't: Agata Adamiecka-Sitek Talks with Milena Gauer and Weronika Szczawińska | Abstract HTML PDF_PL PDF_EN |
| Agata Adamiecka-Sitek, Milena Gauer, Weronika Szczawińska | ||
| 1-2(3-4)/2017 | How Komuna Otwock became Komuna// Warszawa: A Conversation with Alina Gałązka, Grzegorz Laszuk and Tomasz Plata | Abstract PDF_PL HTML PDF_EN |
| Arkadiusz Gruszczyński (ed.), Alina Gałązka, Grzegorz Laszuk, Tomasz Plata | ||
| 1-2(3-4)/2017 | How to Lift the Curse? Director Oliver Frljić and the Poles | Abstract PDF_PL HTML |
| Agata Adamiecka-Sitek | ||
| 1/2015 | I Don’t Want to Do Theatre Anymore, I’ve Got Bored: Paweł Demirski in Conversation with Maciej Nowak | Abstract HTML PDF_EN PDF_PL |
| Paweł Demirski, Maciej Nowak | ||
| 1-2(3-4)/2017 | Institution: the Defence of Necessity | Abstract PDF_PL PDF_EN HTML |
| Dorota Buchwald | ||
| 1-2(3-4)/2017 | Institutional Gastroscopy: Publicly Funded Theatre in Poland, Diagnosed by Its Craftspeople | Abstract PDF_PL HTML PDF_EN |
| Zofia Smolarska | ||
| 1(2)/2016 | Irradiated with Art | Abstract PDF_EN PDF_PL HTML |
| Małgorzata Jabłońska | ||
| 1(5)/2018 | I’m Your Private Dancer: Pop Culture in Choreographic Practice | Abstract HTML PDF_PL PDF_EN |
| Joanna Szymajda | ||
| 1(5)/2018 | Laudatio | Abstract HTML PDF_PL PDF_EN |
| Tomasz Kubikowski | ||
| 2(6)/2018 | Living Leftovers of History | Abstract PDF_PL HTML |
| Dorota Sajewska | ||
| 1-2(7-8)/2019 | Nakedly and Tenderly. Agata Adamiecka-Sitek in conversation with Marta Malikowska | Abstract PDF_PL HTML PDF_EN |
| Agata Adamiecka-Sitek, Marta Malikowska | ||
| 1/2015 | Nothing Else Matters: Jan Klata in Conversation with Dariusz Kosiński | Abstract PDF_EN PDF_PL HTML HTML |
| Dariusz Kosiński, Jan Klata | ||
| 1(5)/2018 | On Receiving an Honorary Doctorate, Warsaw, October 2017 | Abstract HTML PDF_PL PDF_EN |
| Richard Schechner | ||
| 1(2)/2016 | On Social Culture | Abstract HTML PDF_EN PDF_PL |
| Igor Stokfiszewski | ||
| 1-2(3-4)/2017 | On the Common Good: The Institution of the Chorus and Images of a Nation in Marta Górnicka’s Theatre | Abstract PDF_PL PDF_EN HTML |
| Jan-Tage Kühling | ||
| 1-2(3-4)/2017 | On the ‘People’s Theatre’: a Glance Back | Abstract PDF_PL HTML PDF_EN |
| Ewa Bal | ||
| 2(6)/2018 | Osvobozené divadlo and Teatr Symultaniczny: Two Unrealised Theatre Projects in Central and Eastern Europe as a Research Subject in Media Archaeology | Abstract PDF_PL HTML |
| Jakub Kłeczek | ||
| 1/2015 | Poles, Jews and Aesthetic Experience: On the Cancelled Theatre Production by Olivier Frljić | Abstract HTML PDF_EN PDF_PL |
| Agata Adamiecka-Sitek | ||
| 1-2(3-4)/2017 | Polish Theatre after Klątwa: Paweł Łysak and Paweł Sztarbowski, directors of the Powszechny Theatre in Warsaw, in Conversation with Agata Adamiecka-Sitek and Marta Keil | Abstract PDF_PL HTML |
| Paweł Łysak, Paweł Sztarbowski, Agata Adamiecka-Sitek, Marta Keil | ||
| 1(5)/2018 | Post-Theatre and Its Allies: New Experiments in Polish Theatre | Abstract HTML PDF_PL PDF_EN |
| Editorial Board | ||
| 1(5)/2018 | Post-Theatre: Escaping from Theatre, Escaping to Theatre | Abstract PDF_PL PDF_EN HTML |
| Tomasz Plata | ||
| 1(2)/2016 | Public to Private: A Theatrical Game with Disability | Abstract PDF_EN PDF_PL HTML |
| Ewelina Godlewska-Byliniak, Justyna Lipko-Konieczna | ||
| 2(6)/2018 | Re-calling | Abstract HTML PDF_PL |
| Dariusz Kosiński | ||
| 1(5)/2018 | Rematerializing ‘the Internet’: 'IT', a Choreographic Performance by Marta Ziółek | Abstract PDF_PL PDF_EN HTML |
| Magdalena Zamorska | ||
| 1(2)/2016 | Returning Bride: Performative Re-creation of Identity and Space | Abstract HTML PDF_EN |
| Dorota Ogrodzka | ||
| 2(6)/2018 | Revolution in the Cross’s Shadow: Solidarity as Performance | Abstract PDF_PL HTML |
| Marcin Kościelniak | ||
| 1/2015 | Revolutions versus Participations: Participation Strategies and Performative Tactics in the Wielkopolska: Rewolucje Programme | Abstract HTML PDF_EN PDF_PL HTML |
| Joanna Jopek | ||
| 1-2(7-8)/2019 | Shifting the Landscape: Why Changing Actor Training Matters in Light of the #MeToo Movement | Abstract HTML PDF_PL PDF_EN |
| Vanessa Coffey, Hilary Jones, Mccallister Selva, Thomas Zachar | ||
| 2(6)/2018 | Spatial Rhythm in Time: Parallels between Vsevolod Meyerhold’s theatrical biomechanics and Katarzyna Kobro's concept of spatial composition | Abstract PDF_PL HTML |
| Małgorzata Jabłońska | ||
| 2(6)/2018 | Staging Clichés and Settling Scores | Abstract PDF_PL HTML |
| Paweł Sztarbowski | ||
| 1-2(7-8)/2019 | Testimonies and Declarations | Abstract HTML PDF_PL PDF_EN |
| Iga Gańczarczyk | ||
| 1-2(3-4)/2017 | The Actor in the Deadlock of Contemporary Folwark Relations | Abstract PDF_PL HTML |
| Monika Kwaśniewska | ||
| 1-2(7-8)/2019 | The Actresses, or Sorry for Touching You | Abstract HTML PDF_PL PDF_EN |
| Michał Telega | ||
| 1(2)/2016 | The De-Novo Association: The Summer Theatre Action | Abstract PDF_EN PDF_PL HTML |
| Anna Świętochowska | ||
| 1(2)/2016 | The Dispossessed Spectator: Subversive Games with Viewer Passivity in the Theatre of Krzysztof Garbaczewski | Abstract HTML PDF_EN PDF_PL |
| Joanna Jopek | ||
| 1-2(3-4)/2017 | The Emancipated Artist | Abstract PDF_PL HTML PDF_EN |
| Romuald Krężel | ||
| 1-2(3-4)/2017 | The Institutional Practices of a Festival | Abstract PDF_PL PDF_EN HTML |
| Marta Keil | ||
| 1/2015 | The Politics of Participation | Abstract HTML PDF_EN PDF_PL |
| Agata Siwiak | ||
| 1-2(3-4)/2017 | The Pope’s New Clothes: Jean Vilar’s Lay Religion and Popular Theatre | Abstract PDF_PL PDF_EN HTML |
| Piotr Olkusz | ||
| 1-2(7-8)/2019 | The Power of Queer Failure | Abstract PDF_PL HTML PDF_EN |
| Grzegorz Stępniak | ||
| 1(2)/2016 | The Spectre of Democracy | Abstract HTML PDF_EN PDF_PL |
| Dariusz Kosiński | ||
| 1(2)/2016 | The (Syn)aesthetic Experience of Participants in Site-specific Performances in the Performance Scholar’s Laboratory | Abstract HTML PDF_EN PDF_PL |
| Mateusz Chaberski | ||
| 1(2)/2016 | The Theatre of Public Life – a Crucible of our Humanity? (Re-reading Arendt) | Abstract HTML PDF_EN |
| Elżbieta Matynia | ||
| 1/2015 | The Theatre of the Playwright | Abstract HTML PDF_PL PDF_EN |
| Paweł Demirski | ||
| 1-2(3-4)/2017 | The Village Is on Fire! The Village Is Burning Down! Notes on the Oliver Frljić Production of Klątwa in Warsaw | Abstract PDF_PL HTML PDF_EN |
| Paweł Mościcki | ||
| 1-2(3-4)/2017 | The Workers’ Movement in the Campaign for Democratizing Culture and for Political Democracy | Abstract PDF_PL HTML PDF_EN |
| Igor Stokfiszewski | ||
| 1-2(3-4)/2017 | The ‘Open Activity Academy’, or: On Akademia Ruchu Centres | Abstract PDF_PL PDF_EN HTML |
| Zofia Dworakowska | ||
| 1(2)/2016 | Theatre and Community | Abstract HTML PDF_EN PDF_PL |
| Editorial Board | ||
| 1-2(3-4)/2017 | Theatre and Democracy. Institutional Practices in Polish Theatre | Abstract PDF_PL HTML |
| Agata Adamiecka-Sitek, Marta Keil | ||
| 2(6)/2018 | Theatre Collectives, Panel 1: How Do the Flemish Do It? | Abstract PDF_PL HTML |
| Panel 1 | ||
| 2(6)/2018 | Theatre Collectives, Panel 2: Doing Things the Polish Way | Abstract HTML PDF_PL |
| Panel 2 | ||
| 1-2(3-4)/2017 | Theatre Organization System in Poland | Abstract PDF_PL HTML PDF_EN |
| Paweł Płoski | ||
| 1(5)/2018 | Theatre Studies: Working with Theatre | Abstract PDF_PL PDF_EN HTML |
| Tomasz Plata | ||
| 1/2015 | Theatre Takes a Stand: Polish Participatory Theatre at the Turn of the Twentieth and Twenty-First Centuries | Abstract HTML PDF_PL PDF_EN |
| Mateusz Borowski | ||
| 2(6)/2018 | Theatre Unmasked: An Experimental Production of Stanisław Wyspiański’s Daniel at Stefan Żeromski Theatre in Warsaw | Abstract PDF_PL HTML |
| Paulina Kubas | ||
| 1/2015 | Theatres of Politics. Politics of Theatres | Abstract HTML PDF_EN PDF_PL |
| Editorial Board | ||
| 1-2(3-4)/2017 | Theoretical Democracies, Practical Institutions | Abstract PDF_PL PDF_EN HTML |
| Weronika Szczawińska | ||
| 1(5)/2018 | There Is No Such Thing as a Giessen School | Abstract HTML PDF_PL PDF_EN |
| Heiner Goebbels | ||
| 1(5)/2018 | Three scenes from the art academy: the professional, the ignorant and the local schools | Abstract PDF_PL PDF_EN HTML |
| Marijke Hoogenboom | ||
| 1(2)/2016 | To Participate and to Disappear | Abstract HTML PDF_EN PDF_PL |
| Łucja Iwanczewska | ||
| 1(2)/2016 | Towards the Private: Notes on Contemporary Non-Fiction Theatre | Abstract HTML PDF_EN PDF_PL |
| Roman Pawłowski | ||
| 1/2015 | Transfer: German and Polish Political Theatre in the Early 21st Century | Abstract HTML PDF_EN PDF_PL |
| Anna R. Burzyńska | ||
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